Wednesday, March 18, 2020
Class differences in the great gatsby essays
Class differences in the great gatsby essays In the Roaring Twenties, people from all the social classes suddenly became aware of the class differences. This may be the effect of the jump on the stock market or the aftermath of a world war. It was evident that the social classes were clearly divided by location, amount of material possessions and the way one person acts. Fitzgerald illustrates these class differences in the 1920s in The Great Gatsby by introducing to us different characters of different social classes and distinctly describes them in the way they act belonging to that of one class. Fitzgerald also introduces to us a setting that was designed to show these class differences by placing them in different locations with a basic layout. Characters such as the Buchanans, Gatsby and the Wilsons are all examples of how Fitzgerald lays it out for the reader to pick up and the novel surely shows how they conflict over these class differences. The setting in The Great Gatsby is used mainly to illustrate the class differences in the roaring twenties. There are three main places as to which the story takes place in that shows the class differences the most. These three places are East egg, West egg and the Valley of Ashes. A man named Nick Carraway is the narrator of this book and he describes to us these locations vividly. He lived at West Egg and he described it as the less fashionable of the two, (west and east egg), though this is a most superficial tag to express the bizarre and not a little sinister contrast between them. (Fitzgerald, 9) By this, he meant that West egg was not really less fashionable than East egg because they are two egg-like piece of land that was physically the same in shape and size. However, it was less fashionable in the sense of the classes that lived there. People who lived in West egg were more of the newly rich and upper middle-class. Across the bay, was East egg, and those that liv ed there were even richer an...
Monday, March 2, 2020
A Short Quiz About Parallel Construction
A Short Quiz About Parallel Construction A Short Quiz About Parallel Construction A Short Quiz About Parallel Construction By Mark Nichol Whatââ¬â¢s wrong with these sentences? They each have syntax that creates an obstacle to clear understanding of the relationships of words or phrases to others. Revise them, and then scroll down to see my annotated solutions. 1. ââ¬Å"People do not go outside their homes after dark, saying they fear muggers and police looking for bribes.â⬠2. ââ¬Å"Marc Antony was not to be depicted as a monster, but as a love-struck fool.â⬠3. ââ¬Å"People no longer seem to care about owning movies, are decreasingly interested in going to the movie theater, and studios seem to be betting on the fact that the format, not the actual movie, is the selling point.â⬠4. ââ¬Å"The company apparently wastes very little money on lobbying and political contributions- nor, obviously, on a public relations department.â⬠5. ââ¬Å"He founded and ran the trade journal from 1987 to 1991.â⬠Answers 1. ââ¬Å"People do not go outside their homes after dark, saying they fear muggers and police looking for bribes.â⬠Explanation: The original sentence construction implies that residents fear being shaken down for bribes by muggers and police. A confusing sentence structure is sometimes clarified by reversing the order of the listed items, but ââ¬Å"they fear police looking for bribes and muggersâ⬠only replicates the problem; now, the concern is identified as police on the lookout for both extortion opportunities and hoodlums. However, giving the police objectives equal weight muddles the sentenceââ¬â¢s meaning. Introducing parallelism inspired by the previous phrase ââ¬Å"they fear both muggers and police looking for bribesâ⬠is better but still somewhat awkward. A superior solution is to use the correlative conjunction ââ¬Å"not onlyâ⬠and its companion phrase ââ¬Å"but also,â⬠which not only provides logical syntax but also strengthens the sentenceââ¬â¢s impact by introducing the mundane followed by the unexpected: ââ¬Å"People do not go outside their homes after dark, saying they fear not only muggers but also police looking for bribes.â⬠However, the original solution offered above does so most simply. 2. ââ¬Å"Marc Antony was to be depicted not as a monster but as a love-struck fool.â⬠Explanation: This syntax resembles the correct form of the ââ¬Å"not only . . . but alsoâ⬠construction alluded to above. However, the phrase ââ¬Å"was not to be depicted as a monsterâ⬠works only if it is juxtaposed with an independent clause: ââ¬Å"Marc Antony was not to be depicted as a monster; the intent was to portray him as a love-struck fool.â⬠Otherwise, the solution is to poise not directly after the verb (depicted), rather than before it, so that the alternatives are represented in parallel, one preceded by ââ¬Å"not asâ⬠and the other following as. (The as before ââ¬Å"a monster,â⬠sundered from not, does not logically convey the opposing idea of the as before ââ¬Å"a love-struck fool.â⬠) 3. ââ¬Å"People no longer seem to care about owning movies and are decreasingly interested in going to the movie theater, and studios seem to be betting on the fact that the format, not the actual movie, is the selling point.â⬠Explanation: This sentence expresses three ideas: movie ownership, interest in viewing movies in theaters, and studio perception that format is more important than product. But structurally, it implies that all three ideas will pertain to what consumers want. The presence of the third, studio-centric idea, however, means that the subject ââ¬Å"peopleâ⬠pertains only to the first two ideas, which need to be linked with a conjunction, not a comma. (The studio idea is expressed in an independent clause.) Therefore, this is not an ââ¬Å"a, b, and câ⬠sentence, but an ââ¬Å"a and b, and câ⬠sentence. 4. ââ¬Å"The company apparently wastes very little money on lobbying and political contributions. (It also, obviously, spends nothing on a PR department.)â⬠Explanation: Nor is associated only with negative expressions: ââ¬Å"Neither you nor I is responsibleâ⬠; ââ¬Å"I didnââ¬â¢t get to see the movie, nor did I want to.â⬠This sentence, though it refers to a company policy of minimalization of funding for certain activities, does not include a negative expression, so nor is incorrect. For it to be appropriate, the entire sentence would need to be cast in a negative sense, as in ââ¬Å"The company apparently doesnââ¬â¢t spend very much money on lobbying and political contributions- nor, obviously, on a public relations department.â⬠But perhaps the clearest revision is one that divides into separate sentences the comment about contributions from the one about public relations. 5. ââ¬Å"He founded the trade journal in 1987 and ran it from its launch to 1991.â⬠Explanation: The sentence structure implies that the consultant founded the trade journal during the given span of years as well as running it during that time, but founding occurs at a point, not along a time continuum, so the two actions founding and running need to be separated into distinct syntactical elements. But if you are editing this sentence, rather than writing it, and donââ¬â¢t know the facts firsthand, you need to confirm the founding date; the founder didnââ¬â¢t necessarily run the journal from the beginning. (They might have taken the operation over from someone else who was originally in charge.) Want to improve your English in five minutes a day? Get a subscription and start receiving our writing tips and exercises daily! Keep learning! Browse the Grammar category, check our popular posts, or choose a related post below:20 Types and Forms of HumorTry to vs. Try andWhile vs. Whilst
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